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title_diff: "[{\"diffs\":[[1,\"Guitars, Basses & Ukuleles\"]],\"start1\":0,\"start2\":0,\"length1\":0,\"length2\":26}]"
body_diff: "[{\"diffs\":[[1,\"# Guitars, Basses & Ukuleles\\\n\\\n> **Inventory of string instruments with character notes for sound selection.**\\\n> Per-amp/FX notes are in *Amps & Effects* (same notebook).\\\n\\\n---\\\n\\\n## Electric Guitars\\\n\\\n### #1 — Fender Stratocaster, American, ~1990 (50th Anniversary of Fender)\\\n\\\n- **Origin:** American Series, ~1990 (50th anniversary of Fender — confirm exact year)\\\n- **Pickups:** **Fender David Gilmour pickup set**\\\n  - *(Confirm which: Fender Custom Shop set (CS '69 neck+middle, SSL-5 bridge) or EMG DG20 SA active set with DG20 preamp?)*\\\n- **Configuration:** SSS (likely)\\\n- **Fretboard:** *(fill in — maple / rosewood)*\\\n- **Tremolo:** *(confirm — vintage sync / 2-point / blocked?)*\\\n- **Strings:** *(fill in gauge and brand)*\\\n- **Character:** The Gilmour set delivers bell-like neck, glassy middle positions, and a fatter, hotter bridge for leads. Excellent for pink Floyd-style leads, sustained solos, clean chime.\\\n\\\n### #2 — Fender Stratocaster, Jimi Hendrix Montreux, Mexican\\\n\\\n- **Origin:** Mexican-built Jimi Hendrix signature model (Montreux)\\\n- **Body / orientation:** Reversed headstock, flipped lefty body / right-handed play (Hendrix-style)\\\n- **Pickups:** **Kinman Hendrix pickup set** (noiseless)\\\n  - *(Confirm which: Woodstock set, Voodoo set, or other variant?)*\\\n- **Configuration:** SSS\\\n- **Fretboard:** *(fill in — maple / rosewood)*\\\n- **Tremolo:** vintage-style sync (likely)\\\n- **Strings:** *(fill in)*\\\n- **Character:** The Kinman noiseless set gives authentic Hendrix voicing without the hum. Reverse-slant bridge pickup changes the bass/treble response under the strings — slightly fatter low strings, brighter high strings. Voodoo Child, Little Wing, All Along the Watchtower territory.\\\n\\\n### (more electrics — fill in as needed)\\\n\\\n*(Add further electrics here — make/model, pickups, character notes.)*\\\n\\\n---\\\n\\\n### Sound Selection Guide (updated)\\\n\\\n| Style / Project | Recommended Guitar | Reason |\\\n|---|---|---|\\\n| Sharp Dressed Man (ZZ Top) | *(reach for a humbucker guitar — none currently inventoried)* | Crunch, sustain, midrange growl |\\\n| The Thrill Is Gone (B.B. King) | *(reach for a humbucker, neck position)* | Warm, singing lead tone |\\\n| A Horse With No Name (America) | 12-string acoustic or Strat with chorus | Shimmer, folk-rock jangle |\\\n| Pink Floyd / Gilmour-style | **Strat #1 (American, Gilmour set)** | Bell-like clean, sustained lead |\\\n| Hendrix / Woodstock-era rock | **Strat #2 (Hendrix Montreux, Kinman)** | Authentic voicing + noiseless |\\\n\\\n> **Note:** Both Strats cover a lot of the same general funk/blues/rock territory. For Sharp Dressed Man and B.B. King you'd ideally reach for a humbucker guitar — none currently in the electric inventory above. Worth noting on the *Song Ideas* / future-purchase radar.\\\n\\\n---\\\n\\\n## Acoustic Guitars\\\n\\\n| # | Make / Model | Body Style | Pickup? | Strings | Best For |\\\n|---|---|---|---|---|---|\\\n| 1 | *(fill in)* | | | | |\\\n| 2 | *(fill in)* | | | | |\\\n\\\n> 12-string (if any) should be marked — it's a strong fit for A Horse With No Name.\\\n\\\n---\\\n\\\n## Electric Basses\\\n\\\n| # | Make / Model | Strings | Pickups | Scale | Best For |\\\n|---|---|---|---|---|---|\\\n| 1 | *(fill in)* | 4 / 5 / 6 | | | |\\\n| 2 | *(fill in)* | 4 / 5 / 6 | | | |\\\n\\\n> 4-string P-bass / J-bass voicings differ — note which is which when filling in.\\\n\\\n---\\\n\\\n## Ukuleles\\\n\\\n| # | Make / Model | Type (soprano/concert/tenor/baritone) | Tuning | Pick-up? |\\\n|---|---|---|---|---|\\\n| 1 | *(fill in)* | | | |\\\n| 2 | *(fill in)* | | | |\\\n\\\n> Baritone ukulele is tuned DGBE (like 4 high guitar strings); others are typically GCEA.\\\n\\\n---\\\n\\\n## Tuning & Maintenance\\\n\\\n- Tuning reference: A=440 Hz (or A=442 for classical ensembles)\\\n- String change schedule: *(fill in — every X weeks or before sessions)*\\\n- Last setup / fret dress: *(fill in per guitar)*\\\n\\\n## Recording Notes\\\n\\\n- Direct (DI) for re-amping flexibility\\\n- Always capture a DI even when tracking through an amp — allows re-amping through TONEX later\\\n- For acoustics: small-diaphragm condenser at 12th fret, ~20 cm away, slightly off-axis\\\n- See *Real Clarinet* (Gear/Live Instruments) for shared recording chain details\\\n\"]],\"start1\":0,\"start2\":0,\"length1\":0,\"length2\":4080}]"
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updated_time: 2026-06-02T09:59:21.564Z
created_time: 2026-06-02T09:59:21.564Z
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